Each year, when the Grand Prix d'Horlogerie de Genève (GPHG) rolls around, there is almost inevitably a discussion of the rules and operating procedures surrounding the prize ceremony. Commentators usually make remarks about how brands "pay to play," in other words, at some point they have to cover an entry fee for their submissions. There are often also other questions about how the finalists are chosen and, further, how the winners are chosen from among the finalists. As near as I can tell, the early stage of the process involves the GPHG Academy which claims a little over 900 members in its ranks. A display from a Geneva Watch Days (2025) event by Ferdinand Berthoud presenting the work which went into their La Naissance d'une Montre 3, a watch preferred by an alternative slate of voters. This display shows the metallurgical challenges the team confronted when manufacturing their balance wheel. This academy identifies the finalists for the prizes (through online...
Late last year the world lost Brigitte Bardot, a French acting and musical icon who could claim major career achievements in the 1950s and 1960s. Coming up on September 21, some items from Bardot's homes in Saint-Tropez and Paris will go up for auction at the Hôtel Drouot in Paris. There are four lots featuring timepieces and here we will explore those items. Perhaps the most compelling items appear in lot 261: a pair of 1950s Jaeger alarm clocks in "gilt metal" and decorated with red and green lacquer. A pair of Jaeger alarm clocks. Photo courtesy Millon auction house. The catalogue describes the dials for these clocks as "Memovox-like" and I agree. At six-o-clock the dial is marked "Fabrique en Suisse." Within this mark is an encircled eight, indicating that the clocks have an eight day power reserve. The catalogue cautions us "movement needs checking" and I would agree. One dial appears akilter, a potential sign that the clock may h...