I apologize if you signed up for email updates on Horolonomics but you haven't received an update since July or so. Google closed a service I was relying upon for those updates and I'm only now figuring out how to transition to a new service. The good news is that my next post is a big one and I figured all this out before that one went live.
This isn't the code I had to fix but it is close. If you're reading this after receiving an email, I moved your subscription to my new service. Hopefully you are OK with that, if not, you should be able to unsubscribe on the new service. If you have any concerns please DM me on Instagram (@katimepieces) and I will fix things.
Again, my apologies for the delay on fixing this. Horolonomics is a one man operation and sometimes it takes me a while to figure out the magic of tech. As always, thank you so much for reading and spreading the word. It means a TON to me.
Let's get some preliminaries out of the way: I don't particularly admire or respect how Patek CEO Thierry Stern responded to criticism of Cubitus, the brand's newest release. Three pocket watches on display during the 2017 Patek Philippe Grand Exhibition in NYC. Here's what he said : “The haters are mostly people who have never had a Patek and never will, so that doesn’t bother me.” Does this remark seem filled with hubris and disrespect for potential buyers? Yes. Will it matter for Patek financially? I don't think so. Let me explain. In order to understand the financial side of watch brands, we should never forget that retail buyers are not their customers (with some rare exceptions). I know that sounds crazy, but it is 5,000% true. For a brand like Patek, the primary watch market is financially mediated. There is a third party standing between brands in Switzerland and collectors. Namely, Patek sells to authorized dealers, they don't sell to collectors....
Late last year, I had a chance to visit a truly special space in the United States: the workshop of an independent American watchmaker. Lovell Hunter showing components on a bench in his workshop. Photo Credit: Lovell Hunter's YouTube channel. I've written about Lovell Hunter before, I posted my first story about Lovell right here on Horolonomics. There, I described his career as a watchmaker for Breitling and his decisions to strike out on his own and launch an independent brand called Love Hunter Watches. Lovell and I have kept in touch since then and he periodically reaches out to share updates on the progress of his watch design as well as other updates regarding his brand. At one point, Lovell invited me to visit his workshop, which is located in Connecticut's Naugatuck River Valley. The location couldn't be more appropriate given that "Brass City," aka Waterbury, is located on the northern portion of the valley. Brass has historically, and presen...
A few weeks ago I posted a piece on a Rolex Datejust gifted to pianist Vladimir Horowitz by the New York Philharmonic (you can find that post here ). The Rolex is held in Yale University's archives. In my prior post, I hinted that I went hands on a second watch owned by Horowitz. Here, I will provide details about that timepiece. The second of Horowitz's watches in the Yale collection is a Swatch dating from 1989. The box of Horowitz' oigol ORO in Yale's archives. This isn't any 'ole Swatch, though. It is a full set oigol ORO. This reference was designed by Italian artist Mimmo Paladino and it was produced in a limited run of 140 pieces. Paladino was part of the Transavantgarde movement which, according to artnet , "sought to bring emotion, figuration, and mysticism back into avant-garde art." Paladino's design went into production because he placed first in a "Draw Your Swatch" competition. The dial of Horowitz' oigol ORO....
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